Coastal Community Perceptions of the Purwa Shadow Puppet Performing Art

Authors

  • Astrid Wangsagirindra Pudjastawa SMKN 3 Malang

DOI:

https://doi.org/10.33633/lite.v18i1.5495

Keywords:

perception, coastal communities, wayang kulit purwa

Abstract

The purpose of this study was to determine the perception of coastal communities towards the art of wayang kulit purwa performances and examine the community's role in supporting the existence of the arts to survive and develop, using a qualitative method with a descriptive approach that uses observation and interview techniques with 25 residents of Masangan Village, Bungah, Gresik Regency and 2 puppeteers as resource persons. The results of this study indicate that (1) there are social and economic characteristics of the coastal community, (2) the perception of the coastal community towards an art performance and (3) the position of the wayang kulit purwa performing arts in the community. From the research results and discussion, it can be concluded that coastal communities consider the art of wayang kulit purwa performances to have an important position in their lives.

References

Fatmasari, D. (2016). Analisis Sosial Ekonomi dan Budaya Masyarakat Pesisir Desa Waruduwur, Kecamatan Mundu, Kabupaten Cirebon. Al-Amwal, 6(1).

Kristianto, I. (2019). Kesenian Reyog Ponorogo dalam Teori Fungsionalisme. TAMUMATRA: Jurnal Seni Pertunjukan, 2(1), 6–18.

Kurniawan, T. (2019). SIMBOLISME DALAM PESTA DALOK SUKU UUD DANUM: Perspektif Hermeneutika Paul Ricoeur. Studia Philosophica et Theologica, 18(2). https://doi.org/10.35312/spet.v18i2.30

Lewis, B. R. (2015). Consumer Perceptions. In Wiley Encyclopedia of Management. https://doi.org/10.1002/9781118785317.weom090383

Mamengko, R. P., & Kuntari, E. D. (2021). Pengelolaan Pariwisata Bahari berbasis Community-Based Tourism dalam Peningkatan Ekonomi Masyarakat Pesisir. Media Wisata, 18(1). https://doi.org/10.36276/mws.v18i1.72

Massalinri, M., Ahmad, A., & Masruhing, B. (2019). POLA PRODUKSI DAN KONSUMSI PANGAN PADA DAERAH PESISIR DI KABUPATEN SINJAI PROVINSI SULAWESI SELATAN. Agrominansia, 3(2). https://doi.org/10.34003/271984

Nerhardt, G. (1970). HUMOR AND INCLINATION TO LAUGH: EMOTIONAL REACTIONS TO STIMULI OF DIFFERENT DIVERGENCE FROM A RANGE OF EXPECTANCY. Scandinavian Journal of Psychology, 11(1). https://doi.org/10.1111/j.1467-9450.1970.tb00734.x

Nugraha, W., & Rich, C. (2012). Nyalap-Nyaur: Model Tatakelola Pergelaran Wayang Jekdong Dalam Hajatan Tradisi Jawatimuran. Humaniora, 24(2).

Pratama, D. (2015). Wayang Kreasi: Akulturasi Seni Rupa Dalam Penciptaan Wayang Kreasi Berbasis Realitas Kehidupan Masyarakat. Deiksis, 3(04).

Sobary, M. (1996). Kebudayaan Rakyat: Dimensi Politik dan Agama. Bentang.

Supiani, S., Rahmat, F., & Budiman, F. (2021). Pengaruh Budaya dan Persepsi Masyarakat terhadap Keputusan Menabung di Bank Syariah. Al-Bank: Journal of Islamic Banking and Finance, 1(1). https://doi.org/10.31958/ab.v1i1.2618

Utami, C. W., Giyarsih, S. R., Marfai, M. A., & Fariz, T. R. (2021). Kerawanan Banjir Rob dan Peran Gender Dalam Adaptasi di Kecamatan Pekalongan Utara. Jurnal Planologi, 18(1). https://doi.org/10.30659/jpsa.v18i1.13588

Wiyoso, J., & Putra, B. H. (2020). The aesthetic taste representation of coastal community. Harmonia: Journal of Arts Research and Education, 20(1). https://doi.org/10.15294/harmonia.v20i1.17426

Downloads

Published

2022-05-23

Issue

Vol. 18 No. 1 (2022): March

Section

Articles

License

Copyright (c) 2022 Astrid Wangsagirindra Pudjastawa

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors of LITE: Jurnal Bahasa, Sastra, dan Budaya must agree to the following terms:

  1. Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).