Zoo-semiotics in the short story Animals as a medium for criticism and reflection
DOI:
https://doi.org/10.33633/lite.v21i1.11825Keywords:
animal symbolism, anthropocentric;, hierarchy, morality, zoo-semioticsAbstract
This research analyzes the short story “Sesat Pikir Para Binatang” by Triyanto Triwikromo using a zoo-semiotic approach from Thomas Albert Sebeok, who studies the role of animals as signs in human symbolic communication. The animals in this short story not only function as characters in the story, but also as a reflection of human identity to convey criticism of anthropocentrism and a reflection of human morality. By using zoo-semiotic theory, this research reveals that e zoo narrative in the short story is an allegory of human life, which is full of hierarchy, contradiction, and manipulation. Animal characteristics are seen as ethograms that can be interpreted symbolically. The symbolism of animals, such as elephants, worms, and other creatures, reflects the weaknesses of humans who often project their nature and internal conflicts onto animals. This research contributes to the study of contemporary Indonesian literature and expands the application of zoo-semiotics in literary studies, especially in exploring the relationship between humans and animals. Keywords: zoo-semiotics; ethogram; animal symbolism; anthropocentric; hierarchy; moralityReferences
Alvian Guntur Prasetya Aziz, Taufik Dermawan, & Dwi Sulistyorini. (2024). Paradigma etika lingkungan dalam novel Kekal karya Jalu Kencana. Jurnal Onoma: Pendidikan, Bahasa, Dan Sastra, 10(1), 416–425. https://doi.org/10.30605/onoma.v10i1.3242
Chamalah, E., Nuryatin, A., Sayuti, S. A., & ... (2017). The relevance of women’s social issues compared with social reality in Indonesia in the short story “Morgot” by Triyanto Triwikromo. The 1st International Seminar on Language, Literature and Education (ISLLE 2017), 782–789. https://knepublishing.com/index.php/KnE-Social/article/view/2742/5909
Damono, S. D. (2020). Sosiologi sastra. Gramedia Pustaka Utama.
Durasa, H. (2023). Peran filsafat moral dalam memanusiakan manusia dan urgensinya dalam pendidikan. Jurnal Filsafat Indonesia, 6(2), 231–237. https://doi.org/10.23887/jfi.v6i2.45635
Eco, U. (1976). A theory of semiotics. Indiana University Press. https://doi.org/10.2307/843633
Eligia, H. W., A Totok Priyadi, & Ahmad Rabiul Muzammil. (2015). Unsur retorika dalam kumpulan cerita pendek Celeng Satu Celeng Semua karya Triyanto Triwikromo. Jurnal Pendidikan Dan Pembelajaran, 4(9), 104–116. https://doi.org/10.26418/jppk.v4i9.11541
Fadhilla, I., Hidayatika, U., Hira, H. H., Farihah, H., & Nabilah, A. (2022). Ikon, indeks, dan simbol pada cerpen Sesat Pikir Para Binatang karya Triyanto Triwikromo. Referen, 1(2), 137–148. https://doi.org/10.22236/referen.v1i2.10317
Faruk. (2015a). Metode penelitian sastra. Pustaka Pelajar.
Faruk. (2015b). Pengantar sosiologi sastra. Pustaka Pelajar.
Haraway, D. (2003). The companion species manifesto: dogs, people, and significant otherness. Prickly Paradigm Press. https://doi.org/10.1177/147447400501200113
Hardiman, F. B. (2019). Filsafat modern dari Machiavelli sampai Nietzche. Gramedia Pustaka Utama.
Helmi, R. (2023). Analysis of functions and semiotic meanings of traditional Acehnese house ornaments. LITE: Jurnal Bahasa, Sastra, dan Budaya, 19(2), 140–149. https://doi.org/ 10.33633/lite.v19i2.9073
Hidayatika, U., & Indah Fadhilla. (2024). Kesetiaan dan kebuasan tokoh binatang penurut dalam kumpulan cerita “Sesat Pikir Para Binatang.” Magistra Andalusia: Jurnal Ilmu Sastra, 6(1), 55–69. https://doi.org/10.25077/majis.6.1.148.2024
Hutagalung, T. (2015). Kajian Cerpen “Pengadilan Terakhir” karya Triyanto Triwikromo dan nilai edukatif (Pendekatan feminisme). Bahas, 26(3). https://doi.org/10.24114/bhs.v26i3.5583
Kalpaltaru, N. (2015). Kedudukan pelaku transgender dalam cerpen “Tak Ada Eve Di Champs-Ellysees” Karya Triyanto Triwikromo Dan Cerpen “Hantu Nancy” Karya Ugoran Prasad: Kajian Sastra Bandingan. Suluk Indo, 4(1), 1–9. https://ejournal3.undip.ac.id/index.php/sulukindo/ article/view/8110/7890
Keraf, A. S. (2014). Filsafat lingkungan hidup. Kanisius.
Krueger, J., Benjamin Lipscomb, & Toward. (2010). Kant’s moral metaphysics. De Gruyter. https://doi.org/10.5840/acpq199973441
Kurniawan, I. (2011). Representasi diskriminasi SARA dalam Kumpulan Cerpen Ular Di Mangkuk Nabi karya Triyanto Triwikromo: Sebuah tinjauan semiotik [Universitas Airlangga]. https://repository.unair.ac.id/27708/
Kusuma, E. A. (2016). Pandangan dunia tentang spiritual dalam kumpulan cerpen Celeng Satu Celeng Semua karya Triyanto Triwikromo. Jurnal Bahasa dan Sastra Indonesia, 5(4), 1–26. https://journal.student.uny.ac.id/bsi/article/view/2882
Lestari, I. (2017). Pembungkaman identitas perempuan (Studi posklonial dengan analisis dekonstruksi cerpen "Penguburan Kembali Sitaresmi karya Triyanto Triwikromo pada Surat Kabar Kompas Edisi 1 Februari 2015) [Universitas Komputer Indonesia]. https://repository.unikom.ac.id/54303/
Murtadlo, M. K. A., & Khobir, A. (2023). Pendidikan moral pandangan Immanuel Kant. Jurnal Basicedu, 7(4), 2223–2230. https://doi.org/10.31004/basicedu.v7i4.5371
Nafiyah, K., & Mardikantoro, H. B. (2016). Permasalahan perempuan dalam kumpulan cerpen Malam Sepasang Lampion karya triyanto triwikromo. Seloka: Jurnal Pendidikan Bahasa …, 5(1), 21–29. https://journal.unnes.ac.id/sju/index.php/seloka/article/view/12739
Nasution, A. A. (2020). Bersemayam Di Antara Hal Yang Nyata Dan Tidak Nyata: Kajian Psikoanalisis Lacanian pada Cerpen “Penguburan Kembali Sitaresmi” dan “Bunga Lili Di Tenda Pengungsi” karya Triyanto Triwikromo. Bahasa Indonesia Prima, 2(1), 22–36. https://doi.org/10.34012/bip.v2i1.869
Noviana, F. (2020). Representasi maskulinitas modern laki-laki jepang dalam film Perfect World berdasarkan semiotika Barthes. LITE: Jurnal Bahasa, Sastra, dan Budaya, 16(2), 250–266. https://doi.org/10.33633/lite.v16i2.4105
Rahmawati, R. N. (2017). Aspek keruangan dalam Surga Sunsang karya Triyanto Triwikromo: Tinjauan Pascakolonial. Universitas Gadjah Mada.
Rosmalia, P. (2020). Sering berkelahi antarsesama, populasi Kukang Jawa makin terancam. https://mediaindonesia.com/weekend/354381/sering-berkelahi-antarsesama-populasi-kukang-jawa-makin-terancam
Saroh, I. M. (2021). Strategi Penerjemahan Nama Diri dan Kecenderungan Ideologi dalam Versi Terjemahan Novel Animal Farm Karya George Orwell. LITE: Jurnal Bahasa, Sastra, Dan Budaya, 17(1), 76–95. https://doi.org/10.33633/lite.v17i1.4440
Sebeok, T. A. (1969). Semiotics and ethology. In Approaches to Animal Communication.
Sebeok, T. A. (1975). Zoosemiotics: At the intersection of nature and culture. De Gruyter. https://doi.org/10.1515/9783112420584-001
Sebeok, T. A. (1979). The Sign & Its Masters. University of Texas Press.
Sebeok, T. A. (2001). Signs: An introduction to semiotics. University of Toronto Press.
Taman Safari Indonesia. (2023). Hyena – Satwa yang pintar dalam menyelesaikan masalah. https://www.balisafarimarinepark.com/hyena-satwa-yang-pintar-dalam-menyelesaikan-masalah/
Triwikromo, T. (2016). Sesat pikir para binatang. Gramedia Pustaka Utama.
Wijayanto, G. P., & Haryati, S. (2020). Children’s hope reflected by Jack Frost’s motivation to be a true guardian in Peter Ramsey’s film Rise Of The Guardians. LITE: Jurnal Bahasa, Sastra, dan Budaya, 16(196–211). https://doi.org/10.33633/lite.v16i2.4121
Downloads
Additional Files
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Indah Fadhilla, Rouli Esther Pasaribu

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors of LITE: Jurnal Bahasa, Sastra, dan Budaya must agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 International License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).