THE MEANING OF KIGO IN KYOSHI TAKAHAMA HAIKU A SEMIOTIC STUDY OF PIERCE PIERCE
Abstract
This study examines the meaning of Kigo in Haiku by Kyoshi Takahama through a Semiotic Analysis of Pierce. Haiku is a Japanese brief poem. The element of Kigo (season indicator) provides Haiku its uniqueness; although the haiku poem is straightforward, it appears beautiful. This promted the author's interest in Kyoshi Takahama examination of the meaning of Kigo in haiku by Kyoshi Takahama. This study aimed to explicate meaning of Kigo in haiku by Kyoshi Takahama through the lens of Peirce's semiotic theory, namely icons, indexes, and symbols. This research employed descriptive qualitative method. The author's stages include reading the haiku, classifying the Kigo according to their type, analysing and describing the meaning, and concluding with the analysis results. The utilised data source was Haiku, written by Kyoshi Takahama (???????) and published by Aozora Bunko. Kyoshi Kigo contained in haiku by Kyoshi Takahama comprised the Jiko (weather), Tenmon (astronomy), Doubutsu (animals), Shokubutsu (plants), and Tabemono (food), as determined by the analysis.References
Ahyar, J. (2019). Apa Itu Sastra; Jenis-Jenis Karya Sastra dan Bagaimanakah Cara Menulis dan Mengapresiasi Sastra.
Apriyani, C. (2018). Kigo pada Haiku Kobayashi Issa. 1(1), 65–69.
Desy, S. (2016). Haiku Musim Gugur Periode Edo Dalam Kumpulan Antologi Japanese Art And Poetry Sebuah Kajian Semiotik. https://www.unhcr.org/publications/manuals/4d9352319/unhcr-protection-training-manual-european-border-entry-officials-2-legal.html?query=excom 1989
Dorianti, M. (2019). Analisis Semiotik Kumpulan Puisi Musim Bermula Karya Penyair Perempuan.
Fitriani, I., Rukhyana, B., Johana, J., Budaya, F. I., & Padjadjaran, U. (2018). Haiku dan Senryu dalam Puisi Bahasa Indonesia. 8, 360–374.
Kyoshi, T. (2016). 600 Haiku Karya Takahama Kyoshi. Aozora Bunko. https://www.aozora.gr.jp/cards/001310/files/51840_59625.html
Lafamane, F. (2020). Karya ( Puisi , Prosa , Drama ). OSF Preprints, 1–18.
Meilantari, N. L. G. (2020). Wacana Pandemi Pada Haiku-Haiku Pemenang Kontes. 116–123.
Salsabila, E. A. (2021). Komparasi Tanda Keagamaan Dalam Film Ajari Aku. 2587, 95–110.
Shirane, H. (1998). Traces of Dreams.
Shofiani, A. K. A. (2021). Kajian Semiotik Charles Sanders Peirce pada Kumpulan Puisi : Kita. 5(2012), 3934–3939.
