The Analysis of Nengajo (Japanese New Year's Greeting Card)

Margaretha Olivia Clarissa, Budi Santoso

Abstract


The act of giving and receiving New Year’s greeting cards in Japan was born out of the traditional practice of visiting family and friends on New Year’s Day to exchange greetings. These cards are usually sent to colleagues, friends, and relatives; generally anyone who has looked out for you during the year, as a form of appreciation. It can either be designed from scratch or chosen from a broad range of pre-printed designs. The card usually depicts some familiar imagery such as Mount Fuji or blooming cherry blossom branches, and also included the zodiac animal of the year. These elements or signs are then examined based on a semiotic theory, breaking it down to a signifier and signified which will then be categorized to the Denotative and Connotative sign system. The goal is to better understand the cultural meaning and symbolism in nengaj?.

Keywords: greeting card, japanese, tradition, new year, Roland Barthes


Full Text:

PDF

References


Akutsu, A. (2009). "9. New Year’s Cards". Living Japan. Leiden, The Netherlands: Brill. doi: 10.1163/ej.9781905246861.i-252.16

Hermawan, D. (2018, Januari 3). DO YOU KNOW? : NENGAJO ??? [Featured article]. Retrieved from: https://japanese.binus.ac.id/2018/01/03/do-you-know-nengajo-%E5%B9%B4%E8%B3%80%E7%8A%B6/

JICC. (2016, December 30). About Nengajo. Retrieved from: https://www.us.emb-japan.go.jp/jicc/events/nengajo-about.html

UKEssays. (2018, November). Roland Barthes and his Semiotic Theory. Retrieved from: https://www.ukessays.com/essays/cultural-studies/roland-barthes-and-his-semiotic-theory.php?vref=1

Wahyuningsih, T. M. & Santoso, B. (2018). Aspek Keutuhan dalam Struktur Estetika pada Kartu Ucapan Tahun Baru Jepang. Seminar Nasional Struktural 2018. p. 65-74.

https://cc-www2.myjcom.jp/special/nenga/lineup.php?cat=2&n=12

Accessed on Friday, July 8th 2022, at 14.37


Article Metrics

Abstract view : 67 times
PDF - 40 times

Refbacks

  • There are currently no refbacks.


Indexed by:

This work is licensed under a Creative Comunity 40 International License