Kajian Psikoanalisis pada Karakter Heroine di Film Zack Snyder’s Justice League (2021)
DOI:
https://doi.org/10.33633/andharupa.v7i2.4759Abstract
AbstrakFilm Zack Snyder’s Justice League (2021) adalah salah satu film yang meraih kesuksesan secara kritik maupun finasial di saat pandemi Covid-19. Film tersebut dianggap sebagai versi yang lebih orisinil daripada film Justice League versi layar lebar yang tayang di tahun 2017, karena merupakan film yang awalnya dikembangkan untuk berkaitan langsung dengan semesta film-film di DC Extended Universe (DCEU). Penelitian ini akan memfokuskan pada karakter superhero perempuan (heroine) yang muncul di film Zack Snyder’s Justice League (2021) dengan menggunakan teori psikoanalisis Sigmund Freud. Tokoh heroine yang akan dikaji adalah Wonder Woman/Diana Prince, Mera dan Queen Hippolyta. Psikoanalisis dipilih karena berkaitan dengan kajian mengenai alam bawah sadar manusia seperti emosi, cinta, serta seks yang selalu muncul dalam setiap representasi karakter dalam film. Tujuan penelitian ini adalah menjelaskan serta memaknai secara komprehensif apa saja rumusan konseptual mengenai representasi perempuan dalam karakter heroine di film tersebut menurut konteks teori psikoanalisis. Manfaat penelitian ini diharapkan yaitu memberikan kontribusi pemikiran tentang penerapkan operasional teoretis dari psikoanalisis terhadap obyek penelitian budaya populer seperti karakter heroine dalam film. Penelitian ini menggunakan metode yang disebut dengan analisis konten yaitu teknik analisis mendalam terhadap isi suatu informasi dari teks maupun visual. Penelitian ini menemukan adanya keterkaitan representasi perempuan dalam karakter heroine dengan teori psikoanalisis. Kata Kunci: heroine, film, Justice League, psikoanalisis, representasi AbstractIn 2021 the world's film industry slumped due to the Covid-19 pandemic, Zack Snyder's Justice League (2021) movie appeared and was successful critically and commercially. The film is considered to be a more original version than the 2017 feature film Justice League because Zack Snyder's Justice League (2021) is a film that was originally developed to be directly related to the universe of films in the DC Extended Universe (DCEU). This study will focus on the female superhero character (heroines) who appears in the film Zack Snyder's Justice League (2021) and using Sigmund Freud's psychoanalytic theory. The heroine figures that studied are Wonder Woman/Diana Prince, Mera, and Queen Hippolyta. Psychoanalysis was chosen because it relates to the study of the human subconscious like emotions, love, and sex that always appear in every character representation in the film. The purpose of this study is to explain and interpret comprehensively the conceptual formulations, regarding the representation of women in heroine characters in the film Zack Snyder's Justice League (2021) according to the context of psychoanalytic theory. The benefit of this research is expected to contribute ideas about applying the theoretical operational of psychoanalysis to popular culture research objects such as heroine characters in films. This study uses a content analysis method, an in-depth analysis technique toward the content of information from text and visuals. This study found a link between the representation of women in heroine characters and psychoanalytic theory. Keywords: film studies, heroine, Justice League, psychoanalysis, representationReferences
Ali, M. (2009). Psikologi Film : Membaca Film Lewat Psikoanalisis Lacan-Zizek. Jakarta: IKJ Retrospeksi dan Eksplorasi.
Barker, C. (2003). Cultural studies: Theory and practice. London: Sage.
Beatty, S. and Jimenez, P. (2004). The DC Comics Encyclopedia-The Definitive Guide to the Characters of the DC Universe./2004 Dorling Kindersley. New York: 2004 Dorling Kindersley.
Bertens, K. (2006). Psikoanalisis Sigmund Freud. Jakarta: Gramedia Pustaka Utama.
Helaluddin. (2018). ‘Psikoanalisis Sigmund Freud dan Implikasinya dalam Pendidikan’, UIN Sultan Maulana, 0. Available at: https://www.researchgate.net/publication/323535054_Psikoanalisis_Sigmund_Freud_dan_Implikasinya_dalam_Pendidikan.
Hendarto, N. C. (2017). ‘Representasi Posfeminisme Dalam Film Alice Through The Looking Glass’, Jurnal e-Komunikasi, 5(2). Available at: http://publication.petra.ac.id/index.php/ilmu-komunikasi/article/view/7072 (Accessed: 13 June 2019).
Irawan, R. E. (2017). ‘Representasi Perempuan dalam Industri Sinema’, Humaniora, 5(1), pp. 1–8.
Janowitz, M. (1968). ‘Harold D. Lasswell’s contribution to content analysis’, The Public Opinion Quarterly, 32(4), pp. 646–653.
Jeffrey A. Brown (2011) Dangerous Curves : Action Heroines, Gender, Fetishism, and Popular Culture. first. Mississippi: Univ. Press of Mississippi.
Lapsley, D. K. and Stey, P. C. (2011). ‘Id, ego, and superego’, Encyclopedia of human behavior, pp. 1–9.
Misiroglu, G. and David A, R. (2004). The Superhero Book. Edited by G. Misiroglu and D. Roach. Los Angeles: Visible Ink Press.
Rose, G. (2016) Visual methodologies: An introduction to researching with visual materials. London: sage.
Rovin, J. (1985) The_Encyclopedia_of_Superheroes. New York: Facts On File Publications.
Setyanto, D. W., Soewarlan, S. and Tinarbuko, S. (2019). ‘Reading the Message of Feminism in Wonder Woman Film’, in Proceedings of the 1st Seminar and Workshop on Research Design, for Education, Social Science, Arts, and Humanities, SEWORD FRESSH 2019, April 27 2019, Surakarta, Central Java, Indonesia. Surakarta: Uiversitas Sebelas Maret.
Sobur, A. (2003). Semiotika Komunikasi. Bandung: Rosda.
Tinarbuko, S. (2019). ‘Desain Komunikasi Visual : Berpikir Kreatif dan Berkarya Inovatif’, in Internasional Seminnar On Innovation and Creativity Of Art (ISICA#2). Surakarta.
Tong, R. (2009). Feminist Thought. 3rd edn, University of North Carolina, Charlotte. 3rd edn. Colorado: Westview.
Downloads
Published
Issue
Section
License
Copyright (c) 2021 ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).