IDEOLOGI PATRIARKI DALAM FILM (SEMIOTIKA JOHN FISKE PADA INTERAKSI AYAH DAN ANAK DALAM FILM CHEF)
DOI:
https://doi.org/10.33633/andharupa.v6i02.3502Abstract
AbstrakFilm Chef yang beraliran drama – komedi ini dirilis pada tahun 2014 dengan menghasilkan US$45 Juta pada dua minggu penayangannya di bioskop seluruh Amerika dan masuk jajaran film box office dengan rating 7,3/10 versi IMDb. Film ini menghadirkan banyak interaksi antara ayah dan anak yang bisa menjadi acuan bagi orang tua dalam membangun interaksi terhadap anak. Interaksi karakter Carl (Ayah) dan Percy (Anak) yang menjadi subjek penelitian ini diulas dengan pendekatan semiotika John Fiske. Hasil penelitian ini tersaji pada tiga level analisis semiotika John Fiske yaitu level realitas yang digambarkan dengan interaksi karakter Carl dan Percy di ruang-ruang sempit dan padat pada area food truck “El Jefe” maupun area lain baik interior (dalam ruang) maupun exterior (luar ruang). Level representasi yang digambarkan dengan sudut pengambilan gambar (angle) dan komposisi yang membawa penonton untuk tetap terlibat dalam setiap interaksi antar karakter. Terakhir level ideologi patriarki yang menjadi temuan dalam penelitian ini bahwa ideologi patriarki yang dihadirkan dalam film ini bisa dijadikan acuan dalam membangun interaksi ayah dan anak sehingga anak tersebut tidak kehilangan sosok orang tuanya. Kata Kunci : interkasi sosial, patriarki, realitas, semiotika AbstractThis drama-comedy film, Chef, was released in 2014 with the US $ 45 million in two weeks of screenings in theaters across America and entered the ranks of box office films with a rating of 7.3/10 of the IMDb version. This film presents many interactions between father and son that can be a reference for parents in building interactions with their children. The interaction of Carl (Father) and Percy (Son) characters are the subjects of this study are reviewed by John Fiske's semiotic approach. The results of this study presented at three levels of John Fiske's semiotic analysis; the level of reality depicted by Carl and Percy's character interaction in narrow and dense spaces in the "El Jefe" food truck area and other areas both interior (inside) and exterior (outside room). The level of representation depicted by the camera angle and the composition that brings the audience to remain involved in every interaction between characters. Finally, the level of patriarchal ideology found in this study that the patriarchal ideology presented in this film can use as a reference in building the interaction of fathers and children so that the child does not lose the figure of his parents. Keywords: patriarchy, reality, semiotics, social interactionReferences
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