KEINDAHAN YANG TIDAK TERSENTUH PADA FILM PERFECT DAYS

Authors

  • agni saraswati Prodi Animasi, Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta
  • Nindya Galuh Fatmawati Magister Kajian Budaya, Sekolah Pascasarjana, Universitas Sanata Dharma Yogyakarta

Keywords:

Perfect Days, film, keindahan sehari-hari

Abstract

Wim Wenders melalui karya film terbarunya yang berjudul Perfect Days (2023), menawarkan pengalaman sehari-hari yang dibungkus dalam bahasa visual yang penuh dengan tatapan kebaikan atau ia sebut sebagai “peaceful” gaze. Penelitian bertujuan menginvestigasi estetika sehari-hari yang muncul di film Perfect Days yang ditampilkan senafas dengan estetika tradisional Jepang yaitu wabi-sabi yang dianalisis menggunakan teori Cinema of desire atau sinema hasrat, dari Todd McGowan. Metode penelitian memakai deskriptif kualitatif untuk mengkaji objek masalah yang kemudian dianalisis menggunakan pendekatan psikoanalisis. Hasil penelitian menunjukkan kesimpulan bahwa objek a dalam film Perfect Days (2023) ini muncul dari mise en scene dan musik, karena dua unsur filmis ini memberikan dorongan untuk mendapatkan momen guna mengetahui hasrat yang hilang. Estetika sehari-hari sekaligus menjadi object A pada film Perfect Days ini dibagi menjadi tiga bagian yang menawarkan makna dan keterwakilan hasrat terkait: keindahan akan waktu, romantisme trauma dan kehilangan, dan nihilnya akan dorongan material.

Author Biographies

agni saraswati, Prodi Animasi, Fakultas Seni Media Rekam, Institut Seni Indonesia Yogyakarta

I am a lecturer in Animation Department, Institut Seni Indonesia Yogyakarta

Nindya Galuh Fatmawati, Magister Kajian Budaya, Sekolah Pascasarjana, Universitas Sanata Dharma Yogyakarta

Nindya Galuh Fatmawati Student of Magister Kajian Budaya, Sekolah Pascasarjana, Universitas Sanata Dharma Yogyakarta Jl. Affandi, Mrican, Caturtunggal, Depok, Sleman, Yogyakarta 55281

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Published

2026-01-11

Issue

Vol. 11 No. 3 (2025): September 2025

Section

Articles

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