SEMIOTIKA VISUAL TENTANG KEADILAN DAN KEKERASAN SEKSUAL DALAM FILM PENDEK GEORGIA

VISUAL SEMIOTICS OF JUSTICE AND SEXUAL VIOLENCE IN GEORGIA SHORT FILM

Authors

Keywords:

Isu sosial, Korea Selatan, Semiotika, Film Pendek, Kekerasan Seksual, Georgia

Abstract

Penelitian ini mengkaji elemen semiotika visual dalam film pendek Georgia (2020) karya Jayil Pak untuk memahami bagaimana pesan sosial terkait kekerasan seksual dan ketidakadilan hukum di Korea Selatan disampaikan melalui simbolisme visual. Penelitian menggunakan metode semiotika Roland Barthes untuk menganalisis makna denotatif dan konotatif elemen visual, seperti warna, komposisi, simbol, serta narasi. Data primer diperoleh melalui observasi visual dan wawancara dengan sutradara, sementara data sekunder berasal dari sumber daring resmi. Hasil penelitian menunjukkan bahwa simbol kotak‐kotak dari font Georgia menjadi elemen sentral yang mencerminkan keterbatasan komunikasi, mimpi yang hancur, serta kritik terhadap ketimpangan hukum dan budaya sosial. Tema “American Dream” direpresentasikan melalui perjuangan tokoh Jina, sedangkan mitos hantu budaya Korea memperkaya pesan moral film terkait nilai keadilan. Elemen visual, seperti ironi dalam adegan kepolisian dan simbolisme spanduk, menonjolkan kritik terhadap sistem hukum dan pendekatan kekeluargaan dalam penyelesaian kasus kekerasan seksual. Penelitian ini merekomendasikan pengembangan studi semiotika film untuk memperluas wawasan desain dan meningkatkan kesadaran masyarakat terhadap isu sosial melalui karya yang bermakna. Film Georgia menjadi refleksi kritis atas realitas sosial, budaya, dan spiritual, memperkuat nilai keadilan dan empati dalam masyarakat.

Author Biography

Aditya Aditama Putri Hikmatyar, Universitas Pendidikan Indonesia

Aditya Aditama Putri Hikmatyar is a Visual Communication Design Study Program and Early Childhood Education Study Program lecturer at Universitas Pendidikan Indonesia. Her research examines fine arts, design, and semiotics.

References

Barthes, R. (2010). Membedah Mitos-Mitos Budaya Massa. Yogyakarta: Jalasutra. Candello, H., Pinhanez, C., & Figueiredo, F. (2017). Typefaces and the Perception of Humanness in Natural Language Chatbots. Proceedings of the 2017 CHI conference on Human Factors in Computing Systems, 3476–3487. New York, NY, USA: ACM. https://doi.org/10.1145/3025453.3025919

Chandler, D. (2007). Semiotics the Basics (2nd ed.). New York: Routledge. https://doi.org/10.1016/S0378-2166(02)00176-5

Chisholm, N. (2021). How Prosecutorial Independence is Lost: An Empirical Look Inside South Korea’s Bureaucratically Organized Prosecution. SSRN Electronic Journal. https://doi.org/10.2139/ssrn.3766683

Eco, U. (1979). A Theory of Semiotics. Bloomington, Indiana: Indiana University Press.

Feshchenko, V. (2023). Artistic Communication as an Object of Semiotics and Linguistic Aesthetics. Sign Systems Studies, 51(3–4), 565–603. https://doi.org/10.12697/SSS.2023.51.3-4.04

Field, S. (1984). Screenplay: The Foundations of Screenwriting. New York: Bantam Dell.

Gomez, J. M. (2017). An Analysis of Roland Barthes’s Mythologies. London: Macat Library-Routledge.

Grange, H., & Lian, O. S. (2022). “Doors Started to Appear:” A Methodological Framework for Analyzing Visuo-Verbal Data Drawing on Roland Barthes’s Classification of Text-Image Relations. International Journal of Qualitative Methods, 21, 160940692210844. https://doi.org/10.1177/16094069221084433

Hansol, J. (2021). Cerita Nyata Dibalik Short Film Georgia!! Perlakuan 44 Laki-Laki Terhadap 1 Perempuan. Retrieved from https://www.youtube.com/watch?v=OOrw3ZMVgJ0

Indonesia, P. P. Undang-undang (UU) Nomor 33 Tahun 2009 tentang Perfilman. , Pub. L. No. 33, Badan Perfilman Indonesia (2009). Indonesia: LN. 2009/No. 45, TLN NO. 5060, LL SETNEG: 141 HLM.

Iwuh, J., & Patrick, N. A. (2022). Reading the Docufiction Script: Harnessing The Thin Line between Facts and Fiction. Journal of Screenwriting, 13(3), 375–387. https://doi.org/10.1386/josc_00107_1

Khoiriyah, N. U., & Setiawan, H. (2024). Representasi Interaksi Sosial Korban Kekerasan Seksual pada Film 2037. Komunikasiana: Journal of Communication Studies, 5(2), 102–114. https://doi.org/10.24014/kjcs.v5i2.26811

Metz, C. (2018). Film Language: A Semiotics of the Cinema. Chicago: University of Chicago Press.

Muludi, R. R., & Adi, I. R. (2024). The Myth of Pursuing Happiness in The Pursuit of Happyness. Rubikon : Journal of Transnational American Studies, 11(2), 266. https://doi.org/10.22146/rubikon.v11i2.100668

Muñoz Gallego, A., & Jiménez de las Heras, J. A. (2021). The Documentary Film: the Key to Audiovisual Science Communication. VISUAL REVIEW. International Visual Culture Review / Revista Internacional de Cultura Visual, 8(2), 227–238. https://doi.org/10.37467/gka-revvisual.v8.3000

Mustofa, A., Kusumaningtyas, D. N., Fitriana, E. N., & Adelia, S. C. (2024). Postcolonial Performativity Analysis and its Relation to Sustainable Development Goals (SDGs) of Southeast Asian BL-themed Short Movies. E3S Web of Conferences, 513, 1–11. https://doi.org/10.1051/e3sconf/202451304011

Muzakki, M. A., Yandi, A., & Pradhono, C. (2023). Unsur Sinematik dalam Membentuk Genre Found Footage pada Film Keramat Karya Monty Tiwa. ROLLING, 6(2), 1–17. https://doi.org/https://doi.org/10.19184/rolling.v6i2.42645

Nonia. (n.d.). Jayil Pak (제이 박). Retrieved April 15, 2024, from jayil.com website: https://jayil.com/Georgia/nonia

Nusantara, A. B. (2021). Representasi Keluarga Modern Dalam Film “Nanti Kita Cerita Tentang Hari Ini. Universitas Islam Indonesia, Yogyakarta.

Orellia, L. (2022). Representasi Komunikasi Interpersonal dalam Psychological Well-being Manusia Pada Film animasi Soul. Universitas Pendidikan Indonesia, Bandung.

Pae, H. K. (2024). Introduction: The Characteristics of Korean Spoken Language and Written Language. In Analyzing the Korean Alphabet (pp. 3–28). Cham: Springer International Publishing. https://doi.org/10.1007/978-3-031-49633-2_1

Petrilli, S., & Ji, M. (2022). Intersemiotic Perspectives on Emotions (1st ed.). London: Routledge. https://doi.org/10.4324/9781003056652

Pramesti, T. H. (2021, December 13). Film Georgia Tentang Perjuangan Keadilan Korban Kekerasan Seksual, Nyesek Banget! Retrieved April 18, 2024, from cewekbanget.id website: https://cewekbanget.grid.id/read/063042529/film-Georgia-tentang-perjuangan-keadilan-korban-kekerasan-seksual-nyesek-banget?page=all

Pratista, H. (2008). Memahami Film. Yogyakarta: Homerian Pustaka.

Rusmana, D. S. A. (2019). Bentuk Kekerasan dalam Film “Han Gong Ju” (Analisis Isi pada Film “Han Gong Ju”). Representamen, 5(1). https://doi.org/10.30996/representamen.v5i1.2398

Santoso, E. J. (2013). Bikin Video dengan Kamera DSLR: Rasa Hollywood, Bujet Kaki Lima. Jakarta: Mediakita.

Sudarto, A. D., Senduk, J., & Rembang, M. (2015). Analisis Semiotika Film “Alangkah Lucunya Negeri Ini.” Acta Diurna Komunikasi, 4(1).

Sutandio, A. (2024). Radical Feminist Heroines: Gender Philosophy in Joko Anwar’s Three Films. Cogent Arts & Humanities, 11(1). https://doi.org/10.1080/23311983.2024.2385208

Sutopo, H. B. (2006). Metodologi Penelitian Kualitatif: Dasar Teori dan Terapannya dalam Penelitian (2nd ed.). Surakarta: Universitas Sebelas Maret.

Suwasono, A. A. (2012). Elemen Tanda dalam Film. DeKaVe, 2(4), 43–52.

Ta’abudi, D. H. (2019). Kode Malaikat dalam Novel “Naib Izrail” dan “Kau Memanggilku Malaikat”: Sebuah Bandingan. Alfaz (Arabic Literatures for Academic Zealots), 7(01), 1. https://doi.org/10.32678/alfaz.Vol7.Iss01.1728

Tiwahyupriadi, D., & Ayuningtyas, Y. (2020). Indonesian Horror Film: Deconstruction of Repetitive Elements of Indonesian Urban Legend for Cultural Revitalization, Creativity, and Critical Thinking. KnE Social Sciences, 4(20), 115–125. https://doi.org/10.18502/kss.v4i12.7589

Tseng, C.-I., Laubrock, J., & Bateman, J. A. (2021). The Impact of Multimodal Cohesion on Attention and Interpretation in Film. Discourse, Context & Media, 44, 100544. https://doi.org/10.1016/j.dcm.2021.100544

Warman, R., Hairunnisa, & Ghufron. (2018). Analisis Semiotika dalam Film “Nightcrawler” Tentang Pelanggaran Etika Jurnalistik di Amerika Serikat. EJournal Lmu Komunikasi, 6(3), 108–122.

Wyatt-Nichol, H. (2011). The Enduring Myth of the American Dream: Mobility, Marginalization, and Hope. International Journal of Organization Theory & Behavior, 14(2), 258–279. https://doi.org/10.1108/IJOTB-14-02-2011-B006

Yulianti, A. F., Syahidah, U. J. L., & Yanuarvi, N. E. (2023). Analisis Kejahatan Seksual di Korea Selatan (Studi pada Film Dokumenter Cyber Hell: Exposing an Internet Horror). Journal Acta Diurna, 19(1), 40–49. https://doi.org/10.20884/1.actadiurna.2023.19.1.6999

Zhafira, A. N. (2021, December 24). Bincang Sinema Bersama Sutradara Georgia Jayil Pak. Retrieved April 18, 2024, from Antara Yogya website: https://jogja.antaranews.com/berita/529973/bincang-sinema-bersama-sutradara-Georgia-jayil-pak?

육성희. (2011). Mourning Unmourned Deaths: Shamanic Rituals in Nora Okja Keller’s < Comfort Woman> Feminist Studies in English Literature, 19(3), 127–153. https://doi.org/10.15796/fsel.2011.19.3.005

Downloads

Published

2025-03-31

Issue

Section

Articles